THE FIX

The beautiful space of the international City Theatre is as accommodating as it is enjoyable, and the group has made a reputation of doing quality works in the downtown area of Long Beach. The new Rock Musical The Fix is now on stage and stands as another example of ICT’s commitment to presenting entertaining and well-produced theatrical works.

The Fix is a quippy, silly and irreverent look at the status of politics in America. It focuses on the life of unintentional politician Cal Chandler (Adam Simmons). More interested in playing three chorded songs with his band than in politics, Chandler is thrust into the race for office when his father (William T. Lewis) suddenly dies under scandalous circumstances. The rock band front boy is puppeted by his conniving mother (Alix Korey), and heavy-handed uncle, and political genius Grahame Chandler (Sal Mistretta). Together, they form a familial political machine that lifts Cal up before slamming him violently back to earth and destroying multiple lives in the process. The tone of the show is initially comedic before turning dark and twisted after intermission, and that duality is embraced by both cast and crew. In the end, it is a morality tale of the pitfalls and contradictions that exist in both politics and humanity.  The production is staged on an effective tri-colored set that has the advantage of being both practical and visually appealing. Filled with frivolity and commentary, both in song and dialogue, The Fix is a prime example of the modern Rock Musical genre.

It is a script that succeeds best with its comedic one-liners that draw considerable laughter despite the somewhat self indulgent nature of the writing. Randy Brenner’s sure handed direction makes fine use of a talented support staff and a strong cast. The staging is effective and the cast more than able in the majority of their roles. Simmons brings out the comedy as Cal and plays well the difficult role. Mistretta is impressive in the show’s most challenging part, and Lewis and Korey bring considerable talents to bear. The cohesive supporting cast performs well across the board. Standouts David Michael Laffey and Melanie Fernandez provide performances in various roles that are both engaging and compelling in voice, character, and commitment.

There is considerable humor in this Cameron Mackintosh-crafted musical and some depth as well. Weaknesses in the story and minor gaffes with props and sound detract from the overall effectiveness, but the strength of production and presentation remains high. ICT’s tackling of this project is commendable due to its limited audience appeal, but their devotion to putting each production in its best light through interconnected performance elements and talented artists is what is most notable. International City Theatre’s The Fix succeeds principally due to its execution by reaching across the aisle to marry ambiance and talent for an enjoyable night at the theatre.

The Fix runs through May 20th at International City Theater in Long Beach. http://ictlongbeach.org/